William Henry 's breakthrough research on stargates in ancient art, myth and texts has been documented in 14 books and numerous DVD programs. Hundreds of thousands of listeners hear him regularly as the co-host of Whitley Strieber 's Dreamland. He is also a regular contributor on Coast to Coast AM? with George Noory.
In his temple-quests in Egypt, France, Scotland and America, William uncovered and followed a visual code of this Way to the Stars in ancient art. What he discovered and brought to the world 's attention is truly amazing. The symbolism used by the ancients to depict their gods traveling the stars matches that used by modern science to symbolize wormholes..
Babies, Bathwater and the New Age
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The New Age movement is one of the great enigmas of our time. You won't
find hardly anyone willing to defend it or define themselves as a "New
Ager," and...
19 hours ago

4 comments:
OT: but none-the-less of interest is the FAILED Somali Pirate attack on the "Liberty Sun"
Read about it here:
http://www.cnn.com/2009/WORLD/africa/04/14/somalia.pirates/index.html~SE~
Along the lines of Ancient Mysteries, I came across a review of "The Book of Ahau" by Govany Peroni (a remote viewer) yesterday. Peroni's "Ahau moments":
He finds new hidden chambers, undiscovered technology and an ancient library in the Great Pyramid. A machine is seen within the Great Pyramid that if turned on or used improperly could wipe out our current electromagnetic system permanently...
As for the Sphinx he saw a mausoleum and a museum containing untouched sarcophagi and much like the “Hall of Records” theory, documents containing “Man’s History.”
Giza could also be the final resting place of the Ark of the Covenant according to Govany’s visions. He even speculates on how Moses really parted the Red Sea by the use of a secret tunnel. At the end of the book there is a quick section on future predictions and possible explanations on past events.
This is an interesting interview. It seems to have taken place right around the time of the Invasion of Iraq.
In addition to talking about Stargates, William Henry claims that GWII (Invasion of Iraq) boils down to Saddam Hussein's arch-enemies the Bushes following a script from the Book of Revelations in an effort to "control a civilization by destroying its history and inserting a new history."
Saddam H. was assembling a cultural center to stimulate tourism, he says, and endeavoring to reclaim Iraqi artifacts that were stolen by European colonialists.
at about the 20:50 mark:
"He was assembling this just massive, massive amount of knowledge about ancient Iraq, the true history of the world, and as I'm looking at that and then all of the sudden they start talking about Weapons of Mass Destruction, it's like, yeah, they're in little lipstick-sized cylinder seals that talk about our history and interaction with the gods, and if Saddam gets this happening, he's just gonna pull the rug right out underneath Judaism and Christianity because he's going to show that those religions are just, totally built on sand, and what he's got is the true history of the human race."
He goes on to explain cylinder seals and the danger to world order that Saddam's ambition posed.
22:13 mark:
"He wanted the world to come to Baghdad, to come to this Disneyland from the Anunaki and ancient Egyptian, excuse me, the ancient Sumerian gods and explore this ancient heritage."
One version of the theme park (the Iraq National Museum) did open up earlier this year. You wrote about it in Secret Sun.This may be the article I'm thinking of.
I am very familiar with William Henry.
Recently, during a DREAMLAND interview, he talked about the door to his hotel room.
For fire code reasons there was a map of the hotel on the back of the door, and he went on and on about the meaning of this. It was cross shaped, it had an arrow saying YOU ARE HERE, it was an escape plan, it had to do with surviving fire, there was a mirror on the door, it was a DOORWAY. It was one of the most beautiful things I had ever heard.
He mad so many analogies to the mythic process of ascending to a higher place - with only the door of his hotel room as a metaphor.
It was brilliant.
No need for ancient texts or hieroglyphs in an egyptian temple. He used the most mundane piece of our normal day-to-day life as a way to eek out the higher truths about divinity.
I felt "un-stuck" listening to him talk about this doorway.
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